Bitwig has announced Bitwig Studio 4 and that the Beta is
available for download as of today. Everyone with an active
Bitwig Studio upgrade plan has access and is invited to
download the installer from their account.
The official Bitwig Studio 4 release is planned for the end
of Q2/early Q3.
Here's what they say:
Bitwig Studio 1 was hello, world. Version 2 brought
program-wide modulators and CV integration. Version 3 saw
the birth of The Grid, our modular sound-design environment.
And for version 4, new musical timelines have arrived.
This means comping for audio clips, both in the Clip
Launcher and the Arranger. A new set of Operators, for
changing the chance, recurrence, and more of any note or
audio event. Random Spread for any expression point (like
per-note pitch, or audio panning) with perfect control. And
Native Apple Silicon support on Mac, even allowing Intel and
ARM plug-ins to work side-by-side.
Key Features
Audio Comping
Since the invention of studio recording, our task has been
to create the perfect performance. Comping allows you to
combine the best parts of many takes, and Bitwig Studio
provides this and more.
Each take is given its own color so from the first swipe of
a take lane, the sources are clear. To swap in a different
take, just tap it. Then press the up or down arrow to cycle
thru the other takes. From the composite lane, move a
boundary by clicking, adjust gain by dragging, or fix timing
by sliding.
Since we have a Launcher and an Arranger, comping lives
inside the audio clip. So if you are composing in the
Launcher, just click to enable comp recording right there.
Or just drag clips in either direction with your takes
safely inside. Even open the layered editor when multiple
comps belong together. Comping works wherever you are, now
and later.
And since all good techniques deserve a new trick,
right-click any audio clip to Fold To Takes. If you ask for
an eight-bar comp, the entire clip will be spooled into take
lanes, and the comping can begin. Or just drag audio in to
add a new take lane. The stranger the sources, the newer the
result.