A Whiter Shade Of Pale (Procol Harum) Master Hammond B3 Organ VST VST3 Audio Unit Plugin Software for Windows and Mac. EXS24 and KONTAKT Sample Libraries.
Master Hammond B3 Organ VST VST3
Audio Unit (Win / Mac)
A Whiter
Shade Of Pale (Procol Harum)
Instrumental cover* with Master
Hammond B3 Organ VST VST3 and
Audio Unit Plugin
Software demo. Also available in
EXS24 and KONTAKT Sample
Libraries.
*
"A Whiter Shade of Pale" is the
debut song by the British rock
band Procol Harum, released 12
May 1967 (Co-authors: Gary
Brooker, Keith Reid, Matthew
Fisher)
Overview
Master Hammond is a VST,
VST3 and Audio Unit plugin based on the legendary B-3 to recreate the classic
and robust tonewheel organ plus Leslie rotating speaker cabinet, with a vast
array of sounds capable of all the variations one expects from this type of
organ. Suitable for any genre of music, be it Rock, Jazz, Blues, Gospel, Funk, R&B, Pop and
even more with the convenience of software controls like ADSR envelope, filters,
reverberation and a flexible LFO with switchable waveform and selectable
modulation source to modulation destination, to enrich the sound.
Available in VST 32 bit and 64 bit
and VST3 64 bit
versions for
Windows / Audio Unit, VST and VST3 for
macOS.
Features
• Quick selector to switch between different organ sounds:
#
List of Preset Sounds / Demo
↓
1
Fast Rotary Speaker
Cab
2
Slow Rotary Speaker Cab
3
Soft Blues
4
Soul Jazz
5
Dark Gritty
6
Glassy
7
Prog Hard Rock
8
Overdriven Fuzzy
9
Neo B-3
10
Mellow Vibes
11
Tonewheel Fusion
12
Full Bars
13
Swirling High Drawbars
14
Percussive Key Click
15
Percussive Smooth Jazz
16
Percussive Warm
• Chorale / Tremolo Speed Modulator: The slow and fast sampled Leslie (Model
122) effects on most instruments can be modeled even with the LFO section,
which applies modulation to the selected
instrument giving that 'Chorale'
(slow) or 'Tremolo' (fast) rotation speeds. Not like the original half moon
switch, but turning
knobs with the advantage of customizing finely those effects.
Ø Rate:
This knob controls the frequency. Turn clockwise for a faster
modulation rate. Ø Depth:
This knob controls the amplitude. With a lower setting, the
resulting modulation is subtle, while a higher depth will result
in a much more extreme effect.
The following combo
boxes settings adds motion or variability to sounds:
ØWaveForm: Switches between
‘Triangle’, ‘Sine’, ‘Saw’, ‘Square’ and ‘Exponential’ waveforms.
ØSource: Switches between ‘Modulation
Wheel’, ‘Aftertouch’ and ‘Velocity’. ØDestination: Switches between
‘Pitch’, ‘Expression’ and ‘Pan’ modulation.
•
ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
Ø Attack
determines the time it takes for the note to get to the maximum level. Ø Decay
determines the time it takes for the note to go from the maximum level
to the sustain level (controlled by Sustain). Ø Sustain
determines the level of the sound is played at while the note is held (after
the other envelope states, Attack and Decay, have been completed). Ø Release
determines the time it takes for the note to fall from the sustain level
to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected
instrument.
Ø Pitch
Bend center position: is normal pitch. Ø Pitch
Bend down: Specifies the amount of pitch change that will occur when the
pitch bend/modulation lever is moved to the left. Ø Pitch
Bend up: Specifies the amount of pitch change that will occur when the
pitch bend/modulation lever is moved the right.
• Reverb built-in: provides a spaciousness and depth to simulate the
sound reflections from walls, floors and ceilings following a sound created
in an acoustically reflective environment. Small rooms can be modeled as
well as large spaces.
• Filter Type. Combo box to switch between the following options:
Ø Low
Pass (LPF): a filter that passes signals with a frequency lower than a
certain cutoff frequency and attenuates signals with frequencies higher
than the cutoff frequency. Ø High
Pass (HPF): a filter that passes signals with a frequency higher than a
certain cutoff frequency and attenuates signals with frequencies lower
than the cutoff frequency. Ø None:
No filter is applied. Ø Cutoff
Frequency Filter: Sets the cutoff frequency for the low pass and high
pass filters.
• Amplitude Range Parameters: It controls the loudness, the way in which we
perceive amplitude.The sensitivity level is set by the user:
• Panning potentiometer control: Set the panning of the instrument. Adjusts
the stereo pan position of the signal output, which determines how much of
signal is sent to the left and right channels.