Bassesland VST VST3 Audio Unit: Virtual Electric, Acoustic and Synth Bass Plugin. Double Bass, Picked, Fingered, Muted, Slapped, Fuzz, Wah and Synth Basses. Win/Mac (Universal 2: Apple silicon (M1, M2, M3, M4) and Intel)
Bassesland VST VST3 Audio Unit - Virtual Basses: Acoustic, Electric and Synth Basses

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Bassesland Virtual Bass VST VST3 Audio Unit

Windows / macOS Universal 2 Binary (ARM64 Apple Silicon M1, M2, M3, M4 / Intel)

Acoustic, Electric and Synth Basses


Please try the demo version before purchasing (Plugins non-refundable)

Universal 2 allows Audio Units, VST and VST3 plug-ins to run natively on both Apple silicon and Intel-based Mac computers. Compatible with Apple Silicon chipsets developed by Apple. M-series processors are used in the Mac lineup


The bass guitar (also called electric bass, or simply bass) is a stringed instrument played primarily with the fingers or thumb, by plucking, slapping, popping, strumming, tapping, thumping, or picking with a plectrum, often known as a pick. The double bass, also called a violono and often simply a bass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra. It is a transposing instrument and is typically notated one octave higher than sounding to avoid excessive ledger lines. The double bass is the only modern bowed string instrument that is tuned in fourths (like a viol), rather than fifths, with strings usually tuned to E1, A1, D2 and G2. The instrument's exact lineage is still a matter of some debate, with scholars divided on whether the bass is derived from the viol or the violin family. The bass synthesizer (or "bass synth") is used to create sounds in the bass range, from simulations of the electric bass or double bass to distorted, buzz-saw-like artificial bass sounds, by generating and combining signals of different frequencies. Bass synth patches may incorporate a range of sounds and tones, including wavetable-style, analog, and FM-style bass sounds, delay effects, distortion effects, envelope filters. A modern digital synthesizer uses a frequency synthesizer microprocessor component to generate signals of different frequencies. While most bass synths are controlled by electronic keyboards or pedalboards, some performers use an electric bass with MIDI pickups to trigger a bass synthesizer. 

 

Overview

Bassesland is a virtual bass that emulates a wide range of electric, acoustic and synthesized bass sounds.

The sounds range from several electric bass guitars, including harmonics, slides, slaps, muted, wah effect and fills, to an acoustic upright bass, an electro-acoustic bass and synth bass emulations based on vintage synthesizers like the ARP 2600, Clavia Nord Lead, Kawai K3, Korg 01/W, Minilogue, MS2000, Memorymoog, Micromoog 2090, Minimoog Model D, Little Phatty, Minitaur, Prodigy, System 55, Taurus Bass Pedal, Oberheim OB-Xa, OSC OSCar, Roland Juno-60, Juno-106, JX-3P, JX-8P, MC-909, TB-303 and Yamaha DX7.

Available as a plug-in in VST and VST3 formats for Windows 64 bit, and as Audio Unit, VST and VST3 plug-ins for macOS, in native Apple silicon mode (Universal 2 binary), with support for both 64-bit Intel and Apple (M1, M2, M3, M4) processors. 

  

Features 

• Quick selector to switch between different preset sounds:

#

List of Preset Sounds / Demo

1

Upright Acoustic Double Bass

2

Upright Acoustic Double Bass (Pizzicato)

3

Electro Acoustic Bass

4

Picked Electric Bass and Harmonics

5

Fingered Electric Bass and Harmonics

6

Fretless Electric Bass

7

Jazz Electric Bass

8

Funk Groove Electric Bass

9

Fuzz Overdrive Electric Bass

10

Wah Electric Bass

11

Muted Electric Bass

12

Slapped Electric Bass

13

Bass Slides

14

Bass Slides and Fills

15

ARP 2600 Bass

16

Clavia Nord Lead Acid Bass

17

Kawai K3 Reso Bass

18

Korg 01/W Bass Suite

19

Korg 01/W Xpress Bass

20

Korg Minilogue Dirty Bass

21

Korg MS2000 Synth Bass

22

Memorymoog Bass

23

Micromoog 2090 Bass

24

Minimoog Model D Bass

25

Moog Little Phatty MoogPerc

26

Moog Minitaur Reso Bass

27

Moog Prodigy Bass

28

Moog System 55 Modular Synth

29

Moog Taurus 1 Bass Pedal

30

Moog Taurus 2 Bass Pedal

31

Moog Taurus 3 Bass Pedal

32

Oberheim OB-Xa Buzz Bass

33

OSC OSCar Bass

34

Roland Juno-60 Sub-Bass

35

Roland Juno-106 Fat Bass

36

Roland JX-3P Juicy Funk

37

Roland JX-8P Synth Bass

38

Roland MC-909 Acid Bass

39

Roland TB-303 Bass Line

40

Yamaha DX7 Velo Bass

  

• Tremolo Section: The low-frequency oscillator knobs apply modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo to a huge variety of acoustic, electric and synthetic emulations available. Enabling 'Destination' by selecting 'Panning' mode applies a rhythmic variation in amplitude in the stereo field.

Ø Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
Ø Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.

The following combo boxes settings adds motion or variability to sounds:

Ø WaveForm: Switches between ‘Triangle’, ‘Sine’, ‘Saw’, ‘Square’ and ‘Exponential’ waveforms.
Ø 
Source: Switches between ‘Modulation Wheel’, ‘Aftertouch’ and ‘Velocity’.
Ø 
Destination: Switches between ‘Pitch’, ‘Expression’ and ‘Pan’ modulation.

       

• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:

Ø Attack determines the time it takes for the note to get to the maximum level.
Ø Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
Ø Sustain determines the level of the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
Ø Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.

• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.

Ø Pitch Bend center position: is normal pitch.
Ø Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
Ø Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.

• Reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.

• Filter Type. Combo box to switch between the following options:

Ø Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
Ø High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
Ø None: No filter is applied. 
Ø Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.

• Amplitude Range Parameters: It controls the loudness, the way in which we perceive amplitude.The sensitivity level is set by the user:

Ø Amplitude range (low) - sets amplitude range, lower bound (dB) 
Ø Amplitude range (high) - sets amplitude range, upper bound (dB)

• Volume: Adjusts the volume of the instrument.

• Panning potentiometer control: Set the panning of the instrument. Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels.

• Spatial auralization: Synthesizer emulations brings a stereophonic sound panning to increase the audible perspective, even without using the built-in reverberation or LFO pan effect.

  

 

  

Magnus Choir VST VST3 v2.5 for Windows, Magnus Choir Audio Unit, VST and VST3 v3.5 for Mac

Before installing any VST, VST3 or Audio Units plug-ins, please make sure your computer meets the following requirements. Please test the demo version of this product extensively on your host to make sure there are no problems before purchasing.

 .dll (v2.4) and .vst3 (v3.6.7)

  • Windows operating system: Windows 11, Windows 10, Windows 8, Windows 8.1, Windows 7 64 bit.

  • VST and/or VST3 compatible host / digital audio workstation DAW / MIDI sequencer 64-bit: This VST/VST3 software can be "plugged" into any host application that supports VST/VST3 technology, such as Image-Line FL Studio, Steinberg Cubase Pro, Artist and Elements, Cakewalk by BandLab, Ableton Live, Cockos REAPER, PreSonus Studio One, Acoustica Mixcraft, MAGIX Acid Pro, MakeMusic Finale, Avid Sibelius, Mackie Tracktion, Steinberg Nuendo, Magix Samplitude, Magix Music Maker, Cantabile (Lite, Solo, Performer), n-Track Studio, VSTHost, DarkWave Studio, Bitwig, SAVIHost and many more.

  • MIDI controller device: A MIDI controller is required to play this VST instrument. The most common device in this class is a keyboard controller. After launching Digital Audio Workstation or your MIDI host application, be sure to select the appropriate MIDI device before attempting to play your MIDI controller.

  • An ASIO® sound card is recommended for low latency real-time performance.

  • Operating system: macOS Sierra, macOS High Sierra, macOS Mojave, macOS Catalina, macOS Big Sur, macOS Monterey, macOS Ventura, macOS Sonoma.

  • These plug-ins have been compiled using Universal 2 application binaries for both Intel and Apple silicon (M1, M2, M3, M4) to run on both Intel x86-64 and ARM64-based Macintosh computers, taking advantage of the native power and performance of the new Apple silicon-based Macs, while continuing to support Intel-based Macs. In all cases, we always recommend that you try the free trial version of the software.

  • The Audio Unit Component, VST and VST3 plug-ins require of a compatible host, digital audio workstation (DAW) or MIDI sequencer that supports Audio Units, VST or VST3 technology. They can be ‘plugged in’ to process audio from applications such as Logic Pro, GarageBand, MainStage, Cubase, Ableton Live, REAPER, Studio One Professional, Ardour, and Digital Performer, among others.

  • MIDI controller device: A MIDI controller is required to play this plug-in instrument. The most common type of device in this class is a keyboard controller. After launching the Digital Audio Workstation or your MIDI host application, be sure to select the appropriate MIDI device before attempting to play your MIDI controller.

  • Alternatively, the EXS24 and KONTAKT sample libraries are available in .exs and .nki format, respectively.


  

Limitations of the Unregistered/Demo Version: 

The AU, VST2 and VST3 plugins DEMO versions are only intended to give you a taste of what is possible with this plugin in a limited range of one octave with random 'white noise'. For full information on the MIDI key range available, please refer to the pdf file entitled 'Comparison Chart for Limitations of the Demo Version'.

 

Akkordica was developed by Daniel Laiseca for Syntheway Virtual Musical Instruments in Buenos Aires, Argentina.

The full version can be purchased as downloadable software for  US$ 49.90.

Please note that we do not offer refunds. To determine if the software meets your requirements before purchasing, we encourage you to try the free demo of the software plugin and read our licence.


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For existing registered users of any Banjodoline Virtual Banjo and Mandolin format, you can order using a special Crossgrade order page located here.


 

VST is a trademark of Steinberg Soft- und Hardware GmbH

Audio Units™ is a trademark of Apple Inc.

Little Phatty, Memorymoog, Micromoog 2090, Minimoog Model D, Minitaur, Prodigy, System 55 and Taurus Bass Pedals are trademarks of Moog Music, Inc.

Kawai K3 is a registered trademark of Kawai Musical Instruments Mfg. Co., Ltd.

Korg 01/W, Minilogue and MS2000 are trademarks of Korg Inc.
Nord Lead is a registered trademark of Clavia Digital Musical Instruments

Juno-60, Juno-106, JX-3P, JX-8P, C-909 and TB-303 are registered trademarks of Roland Corporation.

OSCar is a trademark of Oxford Synthesiser Company

OB-Xa is a trademark of Oberheim Electronics.

Yamaha DX7 is a registered trademark of Yamaha Corporation.

ARP 2600 is a trademark of ARP Instruments, Inc.

These trademarks are not affiliated or associated with Syntheway and are mentioned only to describe the types of sounds emulated by Bassesland Virtual Bass.



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