Bassesland is a virtual bass that
emulates a wide range of sounds of electric,
acoustic and synthesizer basses. Available as
plugin in VST 32 bit and 64 bit and VST3 64 bit versions for
Windows as well as in Audio Unit, VST and VST3 for
sounds ranging from several electric bass guitars,
including harmonics, slides, slaps, muted, wah
effect and fills, going by an upright acoustic
double bass, an electro acoustic bass to synth bass
emulations based on vintage synthesizer like ARP
2600, Clavia Nord Lead, Kawai K3, Korg 01/W,
Minilogue, MS2000, Memorymoog, Micromoog 2090,
Minimoog Model D, Little Phatty, Minitaur, Prodigy,
System 55, Taurus Bass Pedal, Oberheim OB-Xa, OSC
OSCar, Roland Juno-60, Juno-106, JX-3P, JX-8P,
MC-909, TB-303 and Yamaha DX7.
• Quick selector to switch between different preset sounds:
List of Preset Sounds / Demo
Acoustic Double Bass
Upright Acoustic Double Bass
Electro Acoustic Bass
Picked Electric Bass and
Fingered Electric Bass and
Fretless Electric Bass
Jazz Electric Bass
Funk Groove Electric Bass
Fuzz Overdrive Electric Bass
Wah Electric Bass
Muted Electric Bass
Slapped Electric Bass
Bass Slides and Fills
ARP 2600 Bass
Clavia Nord Lead Acid Bass
Kawai K3 Reso Bass
Korg 01/W Bass Suite
Korg 01/W Xpress Bass
Korg Minilogue Dirty Bass
Korg MS2000 Synth Bass
Micromoog 2090 Bass
Minimoog Model D Bass
Moog Little Phatty MoogPerc
Moog Minitaur Reso Bass
Moog Prodigy Bass
Moog System 55 Modular Synth
Moog Taurus 1 Bass Pedal
Moog Taurus 2 Bass Pedal
Moog Taurus 3 Bass Pedal
Oberheim OB-Xa Buzz Bass
Roland Juno-60 Sub-Bass
Roland Juno-106 Fat Bass
Roland JX-3P Juicy Funk
Roland JX-8P Synth Bass
Roland MC-909 Acid Bass
Roland TB-303 Bass Line
Yamaha DX7 Velo Bass
• Tremolo Section: The low-frequency oscillator knobs apply modulation to
the selected instrument. By using the LFO to modulate various aspects of the
audio signal, you can apply effects such as vibrato or tremolo to a huge
variety of acoustic, electric and synthetic emulations available. Enabling 'Destination'
by selecting 'Panning' mode applies a rhythmic variation in amplitude in the
This knob controls the frequency. Turn clockwise for a faster
modulation rate. Ø Depth:
This knob controls the amplitude. With a lower setting, the
resulting modulation is subtle, while a higher depth will result
in a much more extreme effect.
The following combo
boxes settings adds motion or variability to sounds:
ØWaveForm: Switches between
‘Triangle’, ‘Sine’, ‘Saw’, ‘Square’ and ‘Exponential’ waveforms.
ØSource: Switches between ‘Modulation
Wheel’, ‘Aftertouch’ and ‘Velocity’. ØDestination: Switches between
‘Pitch’, ‘Expression’ and ‘Pan’ modulation.
ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
determines the time it takes for the note to get to the maximum level. Ø Decay
determines the time it takes for the note to go from the maximum level
to the sustain level (controlled by Sustain). Ø Sustain
determines the level of the sound is played at while the note is held (after
the other envelope states, Attack and Decay, have been completed). Ø Release
determines the time it takes for the note to fall from the sustain level
to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected
Bend center position: is normal pitch. Ø Pitch
Bend down: Specifies the amount of pitch change that will occur when the
pitch bend/modulation lever is moved to the left. Ø Pitch
Bend up: Specifies the amount of pitch change that will occur when the
pitch bend/modulation lever is moved the right.
• Reverb built-in: provides a spaciousness and depth to simulate the
sound reflections from walls, floors and ceilings following a sound created
in an acoustically reflective environment. Small rooms can be modeled as
well as large spaces.
• Filter Type. Combo box to switch between the following options:
Pass (LPF): a filter that passes signals with a frequency lower than a
certain cutoff frequency and attenuates signals with frequencies higher
than the cutoff frequency. Ø High
Pass (HPF): a filter that passes signals with a frequency higher than a
certain cutoff frequency and attenuates signals with frequencies lower
than the cutoff frequency. Ø None:
No filter is applied. Ø Cutoff
Frequency Filter: Sets the cutoff frequency for the low pass and high
• Amplitude Range Parameters: It controls the loudness, the way in which we
perceive amplitude.The sensitivity level is set by the user:
• Panning potentiometer control: Set the panning of the instrument. Adjusts
the stereo pan position of the signal output, which determines how much of
signal is sent to the left and right channels.
auralization: Synthesizer emulations brings a stereophonic sound panning to increase the
audible perspective, even without using the built-in reverberation or LFO
• MIDI CC Automation: Implementation of MIDI Continuous Controller
parameters for use with external hardware control via DAW, such as: LFO
depth (CC#1), expression (CC#11), volume (CC#7),
pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73,
Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).
Before you install VST, VST3 or Audio
Units plugins, please make sure your computer fulfills the
extensively the demo version of this
product in your host to make sure there are no misbehaviors before
Operating System: Windows Windows 7, Windows 8, Windows 8.1, Windows 10 and Windows 11
(32-bit and 64-bit platforms).
VST or VST3 compatible host application 32/64 bit:
These VST/VST3 software can be "plugged in" to any host application that
supports VST or VST3 Technology like: Image-Line FL Studio, Steinberg
Cubase Pro, Artist and Elements,
Cakewalk by BandLab, Cockos REAPER, PreSonus Studio One, Acoustica Mixcraft,
MakeMusic Finale, Avid Sibelius, Magix ACID Music Studio, Magix Samplitude
Music Studio and Pro X, Cantabile, n-Track Studio, DarkWave Studio, Bitwig,
SAVIHost among others.
MIDI Controller Device: A MIDI
Controller is required to play this VST instrument. The most common type
of device in this class is the keyboard controller. After launching the
Digital Audio Workstation or MIDI host application be sure to select the
appropriate MIDI device before attempting to play your MIDI controller.
An ASIO® sound card is recommended for low latency real-time play.
Operating System: macOS Sierra, macOS High Sierra,
macOS Mojave, macOS Catalina, macOS Big Sur, macOS Monterey. We do not officially support older systems such as PowerPC
or deprecated versions of Mac OS X. However our plugins may work, but we
cannot guarantee any performance on such old systems. In all cases,
always we encourage you to test the free demo
version of the software.
Audio Unit, VST or VST3 compatible host
application. They can be "plugged in" to process audio by applications
such as Logic Pro, GarageBand, Cubase, Ableton Live, REAPER, Studio One
Gig Performer, MainStage and Digital Performer among others.
MIDI Controller Device: A MIDI Controller is
required to play this VST instrument. The most common type of device in
this class is the keyboard controller. After launching the Digital Audio
Workstation or MIDI host application be sure to select the appropriate
MIDI device before attempting to play your MIDI controller.
sample libraries in .exs / .nki formats.
the Unregistered/Demo Version:
The AU, VST2 and VST3 Plugins DEMO versions is only meant to give you a
taste of what is possible with this plugin in a limited range of an
octave with random
‘white noise’, where Middle C equals C4. For complete information of
MIDI key range available, check out the pdf file titled 'Comparison
Chart for Limitations of the Demo Version'