Features:

• New reverb algorithm that delivers a rich reverberation and provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. 

• Flexibility to control left and right channels separately.

• Stereo enhancer and mono-to-stereo creator, to create a wide stereo image or stereoize a mono sound source.

• 20 Reverb Presets: Predefined space types, giving a virtually infinite number of possible shapes and sizes. These presets consist of some parameters to determine apparent room size, reverberation time, distance from you to the performer, etc. In each predefined reverb, these parameters are preset with values precisely calculated by Syntheway to create the sound field unique for the program. Each preset has a set of parameters that allow you to change the characteristics of the acoustic environment to precisely create the effect you want and contribute to your personal sound field, allowing you to essentially 'redesign' the spaces, provided to create custom-tailored listening environments that ideally match your mood and music.

   

  Preset Effects List:

  #	Reverb Preset	DRY (Unprocessed)	Instrument / Vocals	WET (Processed)
  1	Acoustic Resonator	Unprocessed (Dry)	Electric Guitar	Processed (Wet)
  2	Ambience Reverb	Unprocessed (Dry)	Percussion Drums	Processed (Wet)
  3	Amphitheater Reverb	Unprocessed (Dry)	Female Vocals	Processed (Wet)
  4	Arena Reverb	Unprocessed (Dry)	Synth Strings	Processed (Wet)
  5	Auditorium Reverb	Unprocessed (Dry)	Percussion Bata Drum	Processed (Wet)
  6	Cathedral Reverb	Unprocessed (Dry)	Female Vocals	Processed (Wet)
  7	Cave Reverb	Unprocessed (Dry)	Female Vocals	Processed (Wet)
  8	Chamber Reverb	Unprocessed (Dry)	Sax/ Flugelhorn	Processed (Wet)
  9	Church Reverb	Unprocessed (Dry)	Female Vocals	Processed (Wet)
  10	Hall Reverb	Unprocessed (Dry)	Tenor Sax	Processed (Wet)
  11	Opera Reverb	Unprocessed (Dry)	Female Vocals	Processed (Wet)
  12	Plate Reverb	Unprocessed (Dry)	Acoustic Guitar	Processed (Wet)
  13	Psychoacoustic Cosmos	Unprocessed (Dry)	Electric Guitar	Processed (Wet)
  14	Room Reverb	Unprocessed (Dry)	Acoustic Guitar	Processed (Wet)
  15	Spatial Reverb	Unprocessed (Dry)	Flute	Processed (Wet)
  16	Spring Reverb	Unprocessed (Dry)	Female Vocals	Processed (Wet)
  17	Stadium Reverb	Unprocessed (Dry)	Electric Guitar	Processed (Wet)
  18	Theater Reverb	Unprocessed (Dry)	Mandolin	Processed (Wet)
  19	Tube Driven Reverb	Unprocessed (Dry)	Electric Guitar	Processed (Wet)
  20	Tunnel Reverb	Unprocessed (Dry)	Female Vocals	Processed (Wet)

 

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Parameters:

- DRY Signal Output (Left and Right): It independently controls the left and right channels dry signals.

- WET Stereo Shaping (Left and Right): It independently controls the left and right channels wet signals.

 

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Ø SPACE Controls: Consist of size, width and depth knobs. These parameters determine the nature of the space and its properties such as its abstract geometry and determine its complexity.

•  Size: This knob varies the apparent size of the simulated acoustic space by controlling the density of the early reflections as well as the slope of the buildup. It ranges 0 to 10 ( smallest to largest)
• Width: This knob adjusts the stereo separation of the wet reverb signal. It ranges 0 (The resulting impulse response is effectively mono, and both Left and Right channels are identical) to 10 (The resulting impulse response corresponds to natural stereo width).
• Depth: Adjusts the depth of the environment by controlling the apparent distance from the listener to the input source. It Ranges 0 (near) to 10 deepest.

 

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Ø COLOR Control: Turning the control up, provides additional high-end presence in the effect. 

Ø RESONANCE: Slightly emphasize or suppress portions of the signal above or below the defined room color/tone frequency.

Ø TONE Control: Changes the tone of the reverb by taking over high frequencies. At times subtle, these changes can alter the timbre or quality of auditory sensations produced by the tone of a sound of reverb, from dark to bright and everywhere in between. 

- Bright: A shimmering tone. Overbearing high frequencies. Treble emphasis (Fully clockwise rotation).
- Warm: Well balanced, flat, neutral. Pleasantly spacious, with adequate reverberation (Tuning around the center position of the knob).
- Dark: A tonal balance that tilts to tones of low (deep) frequency. Weak high frequencies (Fully counterclockwise rotation).

• Presence Combo Box: Makes subtle changes to the reverb character:

- Stage 1: Tone reverb is slightly attenuated. Provides a warmness tone.
- Stage 2: Tone reverb is slightly amplified. Something brighter in character.

• Filter Mode Combo Box: Switches the filter between lowpass, highpass, bandpass, or band-rejection filter types, offering a simple and effective tone control to shape and color the sound source.

 

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• Preset Manager: 'Browser' to load and save presets and banks, enabling to export to *.fxp (VST2 Preset), *.fxb (VST2 Bank), *.vstpreset (VST3 Preset), *.aupreset (Audio Unit Preset) plus two generic formats (plain text): the *.xmlpreset (XML Preset) and the *.xmlbank (XML Bank), providing cross-platform presets/banks. This allows to control over the loading and saving of presets from disk as well as sharing presets between different plugin formats using the generic *.xmlpreset (XML Preset) and the *.xmlbank (XML Bank).

• Preset Name Display: Text box to show the active preset.