Chordophonet VST VST3 Audio Unit

Virtual Celtic Harp, Concert Pedal Harp, Electric and Synth Harp plus Acoustic and Electric Hammered Dulcimer

Features

• Quick instrument loader to select between different instruments and glissandi presets:

# List of Preset Sounds / Demo ↓ 1 Concert Harp 2 Celtic Harp 3 Electric Harp 4 Synth Harp 5 Harp Glissando 01 Two Handed 6 Harp Glissando 02 Two Handed 7 Harp Glissando 03 Sweeping 8 Harp Glissando 04 Swirling 9 Harp Glissando 05 Upward 10 Harp Glissando 06 Downward 11 Harp Glissando 07 Up-Down 1 12 Harp Glissando 08 Up-Down 2 13 Harp Glissando 09 Up-Down 3 14 Harp Glissando 10 Ripples 15 Harp Glissando 11 Cascade 16 Harp Glissando 12 Waterfall 17 Harp Glissando 13 Arpeggio 18 Harp Glissando 14 Wavy Up 19 Harp Glissando 15 Resonant 20 Harp Glissando 16 Echoes 21 Harp Glissando 17 Slide Fx 22 Harp Glissando 18 Ending Fx 23 Harp Glissando 19 Undulated 24 Harp Glissando 20 Miscellany 25 Harp Trill Slow to Fast 26 Harp Short Arpeggio 27 Harp Arpeggio Up-Down 28 Acoustic Hammered Dulcimer 29 Acoustic Hammered Dulcimer Octaves 30 Acoustic Hammered Dulcimer Glissando 1 31 Acoustic Hammered Dulcimer Glissando 2 32 Electric Hammered Dulcimer

• Low Frequency Oscillator Section: These  knobs apply modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo.

Ø Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
Ø Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.

• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:

Ø Attack determines the time it takes for the note to get to the maximum level.
Ø Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
Ø Sustain determines the level of the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
Ø Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.

• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.

Ø Pitch Bend center position: is normal pitch.
Ø Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
Ø Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.

• Reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.

• Filter Type. Combo box to switch between the following options:

Ø Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
Ø High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
Ø None: No filter is applied. 
Ø Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.

• Volume: Adjusts the volume of the instrument.

• Panning potentiometer control: Set the panning of the instrument. Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels.

• MIDI CC Automation: Implementation of MIDI Continuous Controller parameters for use with external hardware control via DAW, such as: LFO depth (CC#1), expression (CC#11), volume (CC#7), pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73, Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).

• The pre-recorded glissandi may be played conveniently on C4-B4 key range of MIDI keyboard, however on upper and lower notes can give unusual or quirky sounds that add an extra dimension to your playing.