Overview

Magnus Choir is a virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic SATB (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. Available as plugin in VST 32 bit and 64 bit and VST3 64 bit versions for Windows as well as in Audio Unit, VST and VST3 for macOS.

Features

• 54 Preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes:

#	List of Preset Sounds / Demo ↓
1	Abbey Ghost
2	Ad Infinitum Formant
3	Ad Libitum Chorale
4	Aeternus Lux Lucis
5	Alchemical Signals
6	Angelic Vox
7	Angels Between Us
8	Apocalyptic Chamber
9	Astral Singers
10	Aurum Vox Pad
11	Birds Sonic Sweep
12	Caelestis Kingdom
13	Celestial Choir
14	Choral Ensemble
15	Choralis Pad
16	Cinematic Padilius
17	Cosmic Odyssey Voice
18	Cryogenic Dimension
19	Dark Cantus
20	Digital Voice
21	Dystopian Chorus
22	Elves Land
23	Enchanted Goblins
24	Ethereal Voices Pad
25	Guardians Of Limbo
26	Lost Souls In The Dark
27	Male & Female Aahs
28	Morph Dreams
29	Morphed Vowels
30	Mystical Vowels
31	Nebula Dark Atmos
32	Necromancer Summons
33	Neo Choir
34	Octave Aahs Choir
35	Octave Vox Pad
36	Oniric Sequences
37	Oohs Choir
38	Psychedelic Vox
39	Psychomanteum Reso
40	Quasi Spatial Voices
41	Relaxing Paradise
42	Restless Spirits
43	Sanctus Holy Chant
44	Sonorous Skies
45	SopranVox C4-C6
46	Spatiotemporal Atmos
47	Spectral Hell
48	Synthesized Vocals
49	Synthetic Chorus
50	Underworld Embryos
51	Vinyl Chorus
52	Voices In The Mist
53	Vowelled Soundscape
54	Vox Vocis Texture

  

• Low Frequency Oscillator Section: These  knobs apply modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo.

Ø Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
Ø Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.

• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:

Ø Attack determines the time it takes for the note to get to the maximum level.
Ø Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
Ø Sustain determines level the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
Ø Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.

• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.

Ø Pitch Bend center position: is normal pitch.
Ø Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
Ø Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.

• Reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.

• Filter Type. Combo box to switch between the following options:

Ø Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
Ø High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
Ø None: No filter is applied. 
Ø Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.

• Amplitude Range Parameters: It controls the loudness, the way in which we perceive amplitude.The sensitivity level is set by the user:

Ø Amplitude range (low) - sets amplitude range, lower bound (dB) 
Ø Amplitude range (high) - sets amplitude range, upper bound (dB)

• Volume: Adjusts the volume of the instrument.

• Panning potentiometer control: Set the panning of the instrument. Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels.

• MIDI CC Automation: Implementation of MIDI Continuous Controller parameters for use with external hardware control via DAW, such as: LFO depth (CC#1), expression (CC#11), volume (CC#7), pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73, Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).

• Ideal for composers and sound designers to create ambience effects and music for films, documentaries, video games, choral pieces as well as new age music, with a clear user interface helps work intuitively, inviting to experiment creatively.