ClonEchoes is a dual delay effect plugin, which stores
an input signal and plays it back after a certain amount of
time, creating from a subtle echo to a pronounced blending
of previous sounds with new sounds.
Stretch your sonic horizons with a highly tweakable,
versatile, and inspiring solution for ambience effects, that
produces a hypnotic and complex repeats. Offers multiple
controls for modifying one or both channels to produce a
rich array of time-based effects.
Available as plugin in VST and VST3 64 bit versions for
Windows as well as in Audio Unit for
Two simultaneous integrated delays that delivers rich
echoes by providing a spaciousness and depth to create
intricate and synchronized echoes
Flexibility to control the left and
right channels separately, for both processed and
also works as a 'stereo enhancer' and 'mono-to-stereo creator',
to produce a wide stereo image or stereoize a mono sound
source. It improves the stereo image by adding a slight delay to
one of the channels.
manual or synced to host (Tempo Sync BPM).
effects, giving a virtually
infinite number of possible delay times (manual or
synced) and feedbacks.
Analog Tape Delay
Bucket Brigade Delay
Cosmos Echo Panning
Infinite Echoes Spread
Somber Tunnel Delay
Subtle Widening Delay
Sync Bounced Delay
Sync Tube Tape Delay
Tube Driven Tape Echo
each predefined delay these parameters are
preset with values precisely calculated by Syntheway to
create the sound field unique for the program. Each
preset has a set of parameters that allow you to change
the characteristics of the environment to
precisely create the effect you want and contribute to
your personal sound field, allowing you to essentially
'redesign' the echoes, provided to create
custom-tailored listening environments that ideally
match your mood and music.
DRY Signal Output (Left and Right):
independently controls the left and right channels 'dry'
(unaffected) signals. Turn the knob clockwise to
increase the dry signal or counterclockwise to decrease
it. Default:0. Input signal is fully processed according
to the delay stereo shaping wet assignments.
Manager: 'Browser' to load and save presets and banks, enabling
to export to *.fxp (VST2 Preset), *.fxb (VST2 Bank),
*.vstpreset (VST3 Preset), *.aupreset (Audio Unit
Preset) plus two generic formats (plain text): the
*.xmlpreset (XML Preset) and the *.xmlbank (XML Bank),
providing cross-platform presets/banks. This allows to
control over the loading and saving of presets from disk as well as
sharing presets between different plugin formats using the generic
*.xmlpreset (XML Preset) and the *.xmlbank (XML Bank).
Delay Stereo Shaping (Left and Right):
independently controls the left and right channels wet
signals. Turn the knob clockwise to increase the wet
signal or counterclockwise to decrease it.
FEEDBACK (Left and Right Channels):
Regeneration of delay. By increasing the amount of
signal sent back through (or fed back, or regenerated)
the number of repeats is increased individually for left
and right channels. Turn the knob clockwise to increase
the rate or counterclockwise to decrease the
regeneration. Also feedback can be entered by typing in
the desired amount in the text box of each left or right
TIME (Left and Right Channels):
Controls the delay time. The value can either be in
milliseconds or in bar divisions if the Tempo Sync (BPM)
is switched ON.
Manual Time (Left and Right Channels): This
knob sets the delay time manually. Controls the
speed of the effect when not synchronized to host
tempo. Improves the stereo image by adding a slight
delay to one of the channels. Time
entered by typing in the desired amount in the text
box of each left or right channel in milliseconds.
Tempo Sync (BPM) ON/OFF:
- OFF (Default) makes no synchronisation. Time is set
by the user by 'Manual Time' knob.
- ON allows to sync the delay tempo to the host.
Controls the speed of the synchronized effect to the
project tempo, including tempo changes. Also is
mapped to control the delay subdivisions for some
tempo synced delay changes. Switch options have
programmed subdivision, it goes from 1/1 to 1/16
Bar Divisions (Combo Box. Left and right channels):
Used with Sync Time (BPM)=ON makes the Delay time
sync to the host BPM and allows specifying delay
times in musical note durations. Independently
control the left and right channel signals. Default
1/1 in both L/R channels.
Range: 1/1, 1/2, 1/2D, 1/2T, 1/4, 1/4D, 1/4T, 1/8,
1/8D, 1/8T, 1/16, 1/16D, 1/16T. Improve the stereo
image by adding a slight delay to
one of the channels.
T = Triplet: Delay time equal to 2/3 of the duration
of the selected vote value. D = Dotted: Delay time equal to 3/2 of the
duration of the selected note value.
Control: Turning the control up, provides additional
high-end presence in the delay effect.
emphasize or suppress portions of the signal above
or below the defined color/tone frequency.
Control: Changes the tone of the delay by taking
over high frequencies.
At times subtle, these changes can alter the timbre
or quality of auditory sensations produced by the
tone of a sound of delay, from dark to bright and
everywhere in between.
Bright: A shimmering tone. Overbearing
high frequencies. Treble emphasis (Fully clockwise rotation). Warm: Well balanced, flat,
neutral. Pleasantly spacious, with adequate
tone (Tuning around the center position
of the knob).
Dark: A tonal balance that tilts to tones
of low (deep) frequency. Weak high frequencies (Fully counterclockwise rotation).
Combo Box: Makes subtle changes to the
Stage 1: Tone delay is slightly attenuated. Provides a
Stage 2: Tone delay is slightly amplified. Something
brighter in character.
FILTER MODE Combo Box: Switches the filter between
lowpass, highpass, bandpass, or band-rejection
filter types, offering a simple and effective
tone control to shape and color the sound
* Note: Setting
different delay time in left and right channels allow to
create the 'Precedence effect', a binaural psychoacoustic
effect, when a sound is followed by another sound separated
by a sufficiently short time delay (below the listener's
echo threshold). The Haas effect, also a psychoacoustic
effect (by Helmut Haas) is often equated with the underlying
precedence effect. The precedence effect appears if the
subsequent wave fronts arrive between 10 ms and about 50 ms
later than the first wave front. For speech the precedence
effect disappears for delays above 50 ms, but for music the
precedence effect can also appear for delays of some 100 ms.
It causes a listener to perceive a space and direction of a
sound when there is a slight delay between stereo channels.
Delay: Is inspired by classic analog delays using
reel-to-reel tape loops, earliest delay types in the
budding Rock and Roll era of the 1950s.
02. Bucket Brigade Delay (BBD, Bucket Brigade Device) is
a discrete-time analogue delay line, developed in 1969 by F.
Sangster and K. Teer of the Philips Research Labs. The
stored analogue signal is moved along the line of
capacitors, one step at each clock cycle. The name comes
from analogy with the term bucket brigade, used for a line
of people passing buckets of water. In most signal
processing applications, bucket brigades have been replaced
by devices that use digital signal processing, manipulating
samples in digital form. Bucket brigades still see use in
specialty applications, such as guitar effects.
03. Canyon Echoes:
This delay focuses to emulates a gorge, deep cleft
between escarpments or cliffs. Features a Tempo-Sync
with Bar Division (L) = 1/4 and Bar Division (R) = 1/4T
04. Cloned Delay:
It is a widespread delay effect to hold repeatedly with
Tempo-Sync with Bar Division (L) = 1/2 and Bar Division
(R) = 1/2T.
05. Cosmos Echo
A psychedelic modulation delay.
06. Crypt Echoes:
This delay effect simulates the acoustics of a large
enclosure such as a a stone chamber containing coffins,
sarcophagus, or relics.
07. Dark Delay:
A somber delay with an obscure tone.
08. Doubling Echo:
Is produced by adding short-range delay to a recorded
sound. Delays of 30 to 50 milliseconds are the most
common; longer delay times become slapback echo. Mixing
the original and delayed sounds creates an effect
similar to double tracking and can help greatly thicken
up a vocal recording. Its also often used for recording
guitar with a stereo effect.
An enclosed delay with low pass filter.
10. Infinite Echoes
An repetitive echo with high feedback and manual time,
bright tone and band pass filter.
A brighter delay tone with Tempo-Sync with Bar Division
(L) = 1/16T and Bar Division (R) = 1/16D and high pass
A panning delay effect by switching between both
channels, with Tempo-Sync with Bar Division (L) = 1/8
and Bar Division (R) = 1/16.
13. Ping-Pong Delay:
This type of delay 'pings' audio back and forth between
the left and right channels, creating a wide stereo
rhythmic effect. Useful to create syncopated rhythm
lines that bounce from left to right.
A repetitive echo effect with Tempo-Sync with Bar
Division (L) = 1/8D and Bar Division (R) = 1/4T. Warm
tone and low pass filter applied.
A glittering delay tone with high pass filter
16. Slapback Echo:
Uses a longer delay time (75 to 250 milliseconds), with
little or no feedback, often used on electric guitar,
but can also be applied to drums or vocals. Most often
heard in rockabilly and country.
17. Somber Tunnel
A closed tunnel shape with a shadowy delay with a dusky
tone. Features a Tempo-Sync with Bar Division (L) = 1/8
and Bar Division (R) = 1/8T.
18. Subtle Widening
A delicate delay with a warm tone.
19. Sync Bounced
A Delay Tempo-Sync with Bar Division (L) = 1/1 and Bar
Division (R) = 1/2, bouncing stereophonically.
20. Sync Tube Tape Delay:
Inspired on the legendary, tube, tape echo "Echoplex", a
tape delay effect, first made in 1959 and designed by
Mike Battle. Parameters setted: 'Sync Time' = ON, with
Bar Division (L) = 1/1 and Bar Division (R) = 1/2.
Delay: A Delay Tempo-Sync with Bar
Division (L) = 1/4 and Bar Division (R) = 1/4D.
22.Tube Driven Tape Echo: A delay to replicate
properties of the great 60s tape delays.
Before you install VST, VST3 or Audio
Units plugins, please make sure your computer fulfills the
extensively the demo version of this
product in your host to make sure there are no misbehaviors before
Operating System: Windows Windows 7, Windows 8, Windows 8.1 and Windows 10
VST or VST3 compatible host application 64 bit:
These VST/VST3 software can be "plugged in" to any host application that
supports VST or VST3 Technology like: Image-Line FL Studio, Steinberg
Cubase Pro, Artist and Elements,
Cakewalk by BandLab, Cockos REAPER, PreSonus Studio One, Acoustica Mixcraft,
MakeMusic Finale, Avid Sibelius, Magix ACID Music Studio, Magix Samplitude
Music Studio and Pro X, Cantabile, n-Track Studio, DarkWave Studio, Bitwig,
SAVIHost among others.
Operating System: macOS Sierra, macOS High Sierra,
macOS Mojave, macOS Catalina, macOS Big Sur. We do not officially support older systems such as PowerPC
or deprecated versions of Mac OS X. However our plugins may work, but we
cannot guarantee any performance on such old systems.
Audio Unit compatible host
application. They can be "plugged in" to process audio by applications
such as Logic Pro, GarageBand, Ableton Live, REAPER, Studio One
Gig Performer, MainStage and Digital Performer among others.
the Unregistered/Demo Version:
sound effects quality than the full version. It generates a short beep in
all output channels every 10 seconds. Be aware that certain features
may not be available.
The full version is available to purchase, as downloadable software, the