Synthractive VST VST3 for Windows

Features

• Two Oscillators. Each one features a fine-tuning, pulse width and level parameters, as well as the following selectors: 

  • Waveform. Selector to switch between sine, sawtooth, ramp, triangle, pulse,  white noise and pink noise waveforms.

  • Octave. Selector to specify octaves above or below the current octave.

  • Note. Selector to switch between 0 to 11 semitones.

• Filter Section. A state variable filter with the following parameters:

  • Filter Cutoff. Adjusts the frequency range to contour the sound, add or regulate brightness.

  • Filter Resonance. Slightly emphasize or suppress portions of the signal above or below the defined color/tone frequency.

  • Keyboard Tracking. The Key Tracking knob position subtly modulates the cutoff frequency.

  • Filter Type. Switches the filter between lowpass, highpass, bandpass, or band-rejection filter types, offering a simple and effective tone control to shape and color the sound source.

• Filter Envelope. This section provides control of the filter cutoff frequency over time, with ADSR parameters: attack time, decay time, sustain level, release time plus a level knob that defines the envelope overall level.

• Amplitude Envelope. This section controls the volume or amplitude of the sound with independent control over each ADSR stage:

  • Attack: determines the time it takes for the note to get to the maximum level.

  • Decay: determines the time it takes for the note to go from the maximum level to the sustain level (controlled by sustain).

  • Sustain: determines the level of the sound is played at while the note is held (after the other envelope states, attack and decay, have been completed).

  • Release: determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.

  • Level: It defines the amplitude envelope overall level.

• Two Low-Frequency Oscillators. These parameters apply LFO modulation of various aspects of the audio signal to apply effects such as vibrato or tremolo.

  • LFO Rate: Controls gradual changes to the pitch of notes or the filter cutoff frequency.

  • LFO Depth: Controls the amplitude of the LFO. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.

  The following parameter settings adds motion or variability to sounds:

  • Waveform. Selector to switch between sine, sawtooth, ramp, triangle, pulse, white noise and pink noise waveforms.

  • Source. Combo box to switch between LFO 1, LFO 2, Filter Envelope, Velocity, Aftertouch and Modulation Wheel.

  • Destination. Selector to switch between Cutoff, Pulse Width, Pitch and Volume modulation.

  • Invert. Sets the LFO shape to be a positive or negative envelope. Off applies a positive envelope shape. On applies a negative envelope shape.

• Stereo Reverb effect. Ambience spread brings a sense of spatial depth and width to sound, from small to huge sounding spaces.

• Stereo Delay effect. Stores the input signal and plays it back after a certain amount of time, creating from a subtle echo to a pronounced blending of previous sounds with new sounds. Improves the stereo image by adding a slight delay to one of the channels. Parameters includes:

  • Time. Modulation to vary the delay time dynamically.

  • Feedback. Regeneration of delay.

• Preset Manager. Built-in browser to load and save presets and banks, enabling to export to *.fxp (VST2 Preset), *.fxb (VST2 Bank), *.vstpreset (VST3 Preset), *.aupreset (Audio Unit Preset) plus two generic formats (plain text): the *.xmlpreset (XML Preset) and the *.xmlbank (XML Bank), providing cross-platform presets/banks. This allows to control over the loading and saving of presets from disk as well as sharing presets between different plugin formats using the generic *.xmlpreset (XML Preset) and the *.xmlbank (XML Bank).

• 40 Presets (Pre-programmed sounds):