The House Of The Rising Sun (excerpt) 

(Covered from "The Animals" version played by Alan Price on Vox Continental, transistor-based combo organ)

* Note: Covered from "The Animals" version played by Alan Price on Vox Continental, transistor-based combo organ (Released on 1964). "The House of the Rising Sun" is a traditional folk song. Also called "House of the Rising Sun" or occasionally "Rising Sun Blues".

Vox Continental Organ: Lord and master of all things combo, this line of organ is probably revered as much for its sound as for its sleek look.
The beautiful inverted, harpsichord-like keys, smooth pull drawbars, and striking red flat-top cover set the bar for portable organ design over the next 10 years.
Initially meant to replace the "Hammond B3" for touring musicians, the distinct transistor sound of the "Vox Continental Organ" caught on with groups like the "The Animals" with "Alan Price", "Sir Douglas Quintet" with "August Meyers", "The Doors" with "Ray Manzarek" and was used most famously on "Iron Butterfly"'s "In-A-Gada-Da-Vida".

The Vox brand was also applied to Jennings's electronic organs, most notably the Vox Continental of 1962, whose distinctive trademark "wheedling" tone was immortalized by Alan Price on the Animals' track "House of the Rising Sun", and later used by Paul Revere of Paul Revere & the Raiders, as well as Ray Manzarek on most songs recorded by The Doors and by John Lennon on The Beatles' track "I'm Down", both in the studio and live at their 1965 Shea Stadium concert. Doug Ingle of Iron Butterfly used it on "In-A-Gadda-Da-Vida" and other songs of the group. Mike Smith of The Dave Clark Five and Rod Argent of The Zombies were also made frequent use of the instrument. Peter Tork of the Monkees can be seen playing the unusual looking Vox organs several times during the Monkees TV series (1966–1968). In newer popular music, the organist Spider Webb of the UK garage band The Horrors can be seen using a Vox Continental. A famous Vox organ riff can be heard on "96 Tears" by Question Mark & the Mysterians. Benmont Tench of Tom Petty and the Heartbreakers has frequently used his vintage 1965 single Continental in the studio with the band since 1976 and still uses the instrument today. Another famous signature Vox organ sound was created by Augie Meyers when playing with the Sir Douglas Quintet, as heard in the songs Mendocino and She's About a Mover.

Vox Super Continental: The Continental and other Vox organs such as the Jaguar, the Continental II, Super Continental, and the Continental 300 share characteristic visual features including orange and black vinyl coverings, stands made of chromed steel tubing, and reversed black and white keys. The English wood key single manual Continental (V301J) has become increasingly collectible, although the wood key American-built (V301H) and plastic key Italian-built models (V301E, V301E/2 and V302E) are also commanding premium prices. Jennings sold production rights for the Vox Continental organ to an Italian subsidiary of Thomas Organ in 1967. Under the new production agreement, the Continental was gradually and subtly altered in quality and sound, and reliability became questionable. For example, Ray Manzarek of The Doors had been using a Vox since 1966, but could no longer trust it during performances because of the problems in quality after 1967, and thus was forced to look elsewhere for an organ. He settled on the Gibson Kalamazoo, because it had a flat top like the Vox Continental, so it could accommodate the physical requirements of the Fender Rhodes Piano Bass, which was the bass instrument for The Doors in concert.

 

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