Virtual Trombone VST, VST3, Audio Unit, EXS24, KONTAKT: Seventy-Six Trombones (The Music Man, Meredith Willson) Trombone Concerto in B-Flat Major, I. Allegro Vivace (Nikolai Rimsky-Korsakov)
Virtual Trombone VST VST3 Audio Unit EXS24 KONTAKT

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Virtual Trombone

VST, VST3 and Audio Unit Plugins. EXS24 and KONTAKT Sample Libraries for Windows and Mac

 

 

Seventy-Six Trombones (The Music Man, Meredith Willson)

 

Aeternus is a Virtual Brass instrument, featuring solo Trumpet, Cornet, Trombone, Tuba, French Horn, Flugelhorn as well as Brass Sections and Orchestral Ensemble.

 

Trombone Concerto in B-Flat Major, I. Allegro Vivace (Nikolai Rimsky-Korsakov)

 

Overview

Aeternus Brass is a virtual musical ensemble and solo trumpet, trombone, tuba, French horn, flugelhorn and cornet instruments. It includes brass sections, orchestral ensemble and sampled legato and staccato articulations. Additionally introduces four analog brasses, based on classic polyphonic synthesizers. Available in VST 32 bit and 64 bit and VST3 64 bit versions for Windows / Audio Unit, VST and VST3 for macOS.

  

Features

• Quick selector to switch between different preset sounds:

#

List of Preset Sounds

1

Brass Section Ensemble 1

2

Brass Section Ensemble 2

3

Brass Section Ensemble 3

4

Brass Section Ensemble 4

5

Orchestral Brass Ensemble

6

Brass Ensemble Staccato

7

Brass Hit / Stab / Fall Effects

8

Trumpet Legato

9

Trumpet Staccato

10

Trumpet Bubble Harmon Mute

11

Trombone Legato

12

Trombone Staccato

13

Tuba Legato

14

Tuba Staccato

15

French Horn Legato

16

French Horn Staccato

17

French Horns Section

18

Flugelhorn Legato

19

Cornet Legato

20

Synth Brass

21

Mellotron M400 GC3 Brass

22

Roland SC-88 Velo Brass

23

Oberheim Xpander Brass

24

Memorymoog Brass

 

Presets Sounds Demo ↓

 

 

 

Wider Spatial Auralization: The brass sections ensembles and synthesized brass brings a stereophonic widening sound to increase the audible perspective or perceived breadth, even without using the built-in reverberation.

• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:

Ø Attack determines the time it takes for the note to get to the maximum level.
Ø Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
Ø Sustain determines the level of the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
Ø Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.

• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.

Ø Pitch Bend center position: is normal pitch.
Ø Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
Ø Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.

• Low-Frequency Oscillator Controls: These knobs apply LFO modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo.

Ø LFO Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
Ø LFO Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.

• Reverb Room built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.

• Filter Type. Combo box to switch between the following options:

Ø Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
Ø High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
Ø None: No filter is applied. 
Ø Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.

• Amplitude Range Parameters: It controls the loudness, the way in which we perceive amplitude.The sensitivity level is set by the user:

Ø Amplitude range (low) - sets amplitude range, lower bound (dB) 
Ø Amplitude range (high) - sets amplitude range, upper bound (dB)

• Volume: Adjusts the volume of the instrument.

• Panning potentiometer control: Set the panning of the instrument. Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels.

 

 



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