Virtual Soprano, Alto, Tenor and Baritone Saxophones
Audio Unit, VST and
VST3 Plugins for Mac
is a soprano, alto, tenor and
baritone saxophone virtual instrument plugin available in Audio Unit, VST and VST3
• Quick saxophone SATB selector to switch between different sax preset
Preset Sounds /
Saxophone 1 (Range: A♭2 to C6)
Saxophone 2 (Range:
A♭2 to C6)
Saxophone 1 (Range: D♭3
Alto Saxophone 2
(Range: D♭3 to A♭5)
Saxophone 1 (Range: G♭2
Saxophone 2 (Range: G♭2
Saxophone 1 (Range: B1
Saxophone 2 (Range: B1
The saxophone instruments features the following chromatic range (where
Middle C equals C4):
Sax: 41 chromatic notes from A♭2 to C6 MIDI range. ØAlto
Sax: 32 chromatic notes from D♭3 to A♭5 MIDI range. ØTenor
Sax: 36 chromatic notes from G♭2 to B5 MIDI range. ØBaritone
Sax: 53 chromatic notes from B1 to E♭6 MIDI range.
ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
determines the time it takes for the note to get to the maximum level. Ø Decay
determines the time it takes for the note to go from the maximum level
to the sustain level (controlled by Sustain). Ø Sustain
determines the level of the sound is played at while the note is held (after
the other envelope states, Attack and Decay, have been completed). Ø Release
determines the time it takes for the note to fall from the sustain level
to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected
Bend center position: is normal pitch. Ø Pitch
Bend down: Specifies the amount of pitch change that will occur when the
pitch bend/modulation lever is moved to the left. Ø Pitch
Bend up: Specifies the amount of pitch change that will occur when the
pitch bend/modulation lever is moved the right.
• Low-Frequency Oscillator Controls: These knobs apply LFO modulation to the
selected instrument. By using the LFO to modulate various aspects of the
audio signal, you can apply effects such as vibrato or tremolo.
Rate: This knob controls the frequency. Turn clockwise for a faster
modulation rate. Ø LFO
Depth: This knob controls the amplitude. With a lower setting, the
resulting modulation is subtle, while a higher depth will result in a
much more extreme effect.
• Reverb Room built-in: provides a spaciousness and depth to simulate the
sound reflections from walls, floors and ceilings following a sound created
in an acoustically reflective environment. Small rooms can be modeled as
well as large spaces.
• Filter Type. Combo box to switch between the following options:
Pass (LPF): a filter that passes signals with a frequency lower than a
certain cutoff frequency and attenuates signals with frequencies higher
than the cutoff frequency. Ø High
Pass (HPF): a filter that passes signals with a frequency higher than a
certain cutoff frequency and attenuates signals with frequencies lower
than the cutoff frequency. Ø None:
No filter is applied. Ø Cutoff
Frequency Filter: Sets the cutoff frequency for the low pass and high
• Amplitude Range Parameters: It controls the loudness, the way in which we
perceive amplitude.The sensitivity level is set by the user:
• Panning potentiometer control: Set the panning of the instrument. Adjusts
the stereo pan position of the signal output, which determines how much of
signal is sent to the left and right channels.
• MIDI CC Automation: Implementation of MIDI Continuous Controller
parameters for use with external hardware control via DAW, such as: LFO
depth (CC#1), breath controller (CC#2), expression (CC#11), volume (CC#7),
pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73,
Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).
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