is a polyphonic subtractive synthesizer to produce a vast
array of sounds, utilizing three main signal modules:
frequency (voltage-controlled oscillator VCO), timbre
(voltage-controlled filter VCF) and amplitude
(voltage-controlled amplifier VCA).
Four VCOs initiate the
sound waveform and control its frequency. It also determines
the initial timbre by the waveform option selected (sawtooth
or square). The VCF module shapes the timbre via a low-pass
filter with cutoff and resonance parameters controlled by an
envelope generator. The amplitude of the sound is shaped by
the VCA envelope.
It generates iconic
vintage synthesizer sounds with distinctive pads, peculiar
keys, punchy basses, sparkle leads, creepy effects, charming
ambient soundscapes or unearthly and otherworldly
atmospheres. Suitable for many genres
and styles of music and pliability to custom design over a
diverse sonic palette. Available as a plugin in VST and VST3
64 bit versions for Windows, as well as in Audio Unit for
Voltage Controlled Oscillators (VCOs).
They will generate the initial sound signal with four voltage controlled
oscillators (VCO1, VCO2, VCO3, VCO4), with the following parameters:
A fine-tuning knob that tunes the VCOs by a semitone. Gives a wide array of
frequencies between the oscillators.
The knob to specify octaves above or below the current octave of the VCO by
dialing in a range between -2 to +3 octaves.
Morphs between sawtooth and square non-sinusoidal waveforms. The sawtooth
waveform contains all harmonics of the fundamental pitch of the waveform. The
square waveform contains just the odd harmonics.
Defines the frequency or speed of the oscillator. Turn the knob clockwise to
increase the rate or counterclockwise to decrease the rate.
This parameter is used to adjust the modulation gain level of each VCO.
Voltage Controlled Oscillator (VCO) Envelope. Changes
the produced frequency. It can be used to modify the attack phase or to create
special effect sounds.
Voltage Controlled Amplifier (VCA) Envelope.
Controls the volume or amplitude of the sound with independent control over each
ADSR stage (Attack, Decay, Sustain, Release) over the VCA amplifier that varies
its gain depending on a control voltage. The ‘Level’ slider determines the magnitude of
the action of the envelope.
Voltage Controlled Filter (VCF).
A low-pass filter that lets the lower frequencies or harmonics pass unchanged,
while it attenuates or reduces the strength of the higher frequencies, offering
a simple and effective tone control to shape and color the sound source.
Controls the low-pass filter cutoff frequency. Determines where the signal is
Controls the low-pass filter resonance. Emphasize or suppress portions of the
signal above or below the defined cutoff frequency.
Voltage Controlled Filter (VCF) Envelope. This
section provides control of the filter cutoff frequency over time, with
independent control over each ADSR stage (Attack, Decay, Sustain, Release). The ‘Level’ slider determines the magnitude of
the action of the ADSR envelope on the frequency and response of the low-pass
A 4-voice stereo chorus effect that imparts richness and character to the sound
by adding multiple short delays with a slight amount of feedback, making each
sound distinct from the original.
A switch indicator to turn ON/OFF the module. Press the toggle to activate the
effect, the switch will light, and chorus will be applied to the sound. To
inactivate the effect, press again and it will turn off.
Adjusts the stereo spreading of the chorus voices. For maximum stereo spread,
fully clockwise rotation; for a monophonic chorus, simply set to zero.
the presence of the chorus. Turn it clockwise to increase it or counterclockwise
to decrease it.
slider sets the balance between the unprocessed (dry) signal and the processed
(wet) signal that will be blended.
A stereo delay that stores the input signal and plays it back after a certain
amount of time, creating from a subtle echo to a pronounced blending of previous
sounds with new sounds. Parameters include:
Modulation to vary the delay time dynamically.
Regeneration of delay.
Integrated reverberation module.
A switch to turn on/off the unit. Press the toggle to activate the effect, the
switch will light, and reverb will be applied to the sound. To inactivate the
effect, press again and it will turn off.
The knob provides a spaciousness and depth to simulate the sound reflections
from walls, floors and ceilings following a sound created in an acoustically
reflective environment. Small rooms can be modeled as well as large spaces.
This knob adjusts the stereo separation of the wet reverb signal.
A virtual wheel to vary the frequency or pitch of the oscillators (VCOs) in a
continuously variable manner. Bend
wheel upward raises the pitch and moving it downward lowers the pitch. It will
automatically return to its initial position when released.
Keyboard. The virtual keyboard
lets you listen to the synthesizer sounds without the need for an external
master MIDI keyboard. Just click on a virtual key to hear the corresponding
Tooltip when the mouse is over a control. You can mouse over any of the controls
anywhere in Phasewaver and this will display a short description of what that
Implementation of MIDI Continuous Controller parameters for use with external
hardware control via DAW.
'Browser' to load and save presets and banks, enabling to export to *.fxp (VST2
Preset), *.fxb (VST2 Bank), *.vstpreset (VST3 Preset), *.aupreset (Audio Unit
Preset) plus two generic formats (plain text): the *.xmlpreset (XML Preset) and
the *.xmlbank (XML Bank), providing cross-platform presets/banks. This allows to
control over the loading and saving of presets from disk as well as sharing
presets between different plugin formats using the generic *.xmlpreset (XML
Preset) and the *.xmlbank (XML Bank).
50 internal presets (Pre-programmed
sounds) categorized by type: ATMO (6), BASS (6), KEY (10), LEAD (12), PAD (8),
PERC (2) and SFX (6) with an ultra-flexible sound shaping capability to
create diverse electronic sounds.
Preset Sounds / Demo
ATMO Chaotic Environment
ATMO Ecosystem Invaders
ATMO Gliding Asteroids
ATMO Oneiric Ambient
BASS Fuzzy Circuit
BASS Hollow Line
BASS Oscillating Resonance
BASS Rubbery Rebound
BASS SH101 Roygbiv
BASS Trembling Glide
KEY Acid Funk
KEY Crazy Diamond
KEY Electric Harpsichord
KEY Electric Piano
KEY Glowing Amplitude
KEY Percussive Organ
KEY Scintillating Boost
KEY Vintage Organ
LEAD Brassy Essence
LEAD Dimensional Sawtooth
LEAD Fusion Waves
LEAD Hoover Apocalypse
LEAD Hoover Dominator
LEAD Hoover Gabber
LEAD Hoover Gritty
LEAD Hoover Juno Sway
LEAD Square Quantum
LEAD Trance Formant
LEAD Wavering Spectrum
LEAD Wobbly Pressure
PAD Dystopian Worldview
PAD Flanging In Heaven
PAD Idyllic Momentum
PAD Relaxed Ambience
PAD Soundscape Vibes
PAD Spatial Motion
PAD Stellar Choir
PERC Mallet Percussion
PERC Tubular Chimes
SFX Catatonic Voices
SFX Concatenated Creatures
SFX Crescendo Horror
SFX Dark Signals
SFX Gloomy Lament
SFX Incorporeal Beings
Before you install VST, VST3 or Audio
Units plugins, please make sure your computer fulfills the
extensively the demo version of this
product in your host to make sure there are no misbehaviors before
Operating System: Windows Windows 7, Windows 8, Windows 8.1, Windows 10 and Windows 11
(32-bit and 64-bit platforms).
VST or VST3 compatible host application 64 bit:
These VST/VST3 software can be "plugged in" to any host application that
supports VST or VST3 Technology like: Image-Line FL Studio, Steinberg
Cubase Pro, Artist and Elements,
Cakewalk by BandLab, Cockos REAPER, PreSonus Studio One, Acoustica Mixcraft,
MakeMusic Finale, Avid Sibelius, Magix ACID Music Studio, Magix Samplitude
Music Studio and Pro X, Cantabile, n-Track Studio, DarkWave Studio, Bitwig,
SAVIHost among others.
MIDI Controller Device: A MIDI
Controller is required to play this VST instrument. The most common type
of device in this class is the keyboard controller. After launching the
Digital Audio Workstation or MIDI host application be sure to select the
appropriate MIDI device before attempting to play your MIDI controller.
An ASIO® sound card is recommended for low latency real-time play.
Operating System: macOS Sierra, macOS High Sierra,
macOS Mojave, macOS Catalina, macOS Big Sur, macOS Monterey, macOS Ventura, macOS Sonoma.
Audio Unit compatible host
application. They can be "plugged in" to process audio by applications
such as Logic Pro, GarageBand, Ableton Live, REAPER, Studio One
Gig Performer, MainStage and Digital Performer among others.
MIDI Controller Device: A MIDI Controller is
required to play this VST instrument. The most common type of device in
this class is the keyboard controller. After launching the Digital Audio
Workstation or MIDI host application be sure to select the appropriate
MIDI device before attempting to play your MIDI controller.
the Unregistered/Demo Version:
sound quality than the full version. It generates a short beep in
all output channels every 10 seconds. Be aware that certain features
may not be available.
The full version is available to purchase, as downloadable software, the